Penggunaan Pewarna Sintetis Dan Alam Pada Lukis Kain

Authors

  • Ariyana Damayanti Akademi Kesejahteraan Sosial Ibu Kartini Semarang
  • Yasinta Dwi Yulinda Sari Akademi Kesejahteraan Sosial Ibu Kartini Semarang

DOI:

https://doi.org/10.69697/garina.v12i2.51

Keywords:

Synthetic Dyes, Natural Dyes, Fabric Painting, Testing

Abstract

Coloring materials for fabric painting can be produced from natural dyes and synthetic dyes. Natural and synthetic dyes have their respective advantages and disadvantages. The combination of the two colors will give the impression of a brighter color, and slightly reduce environmental pollution. The objectives of this research are: 1) Knowing the processing of synthetic and natural dyes for fabric painting; 2) Knowing the results of applying synthetic and natural dyes to fabric painting. The method used in this research is the research and development approach model Research and Development (R&D) and data analysis. Trials in this study were carried out with dye using 4 types of cloth with the help of a validator as an assessor of the coloring results. The results of this study indicate that synthetic dyes are lighter than natural dyes. Meanwhile, the colors produced from natural dyes tend to be darker. In painting this cloth, the writer needs a combination of dark and light colors. Therefore, the use of synthetic and natural dyes requires mixing of colors. The fading test conducted by the author for the color absorption of diamond crape on the fabric is very good. Thus it can be concluded that the use of natural and synthetic dyes can be applied to fabric painting by conducting trials first to get the right color.

References

Endang Kwartiningsih, dkk. 2009. Zat Pewarna Alam Tekstil dari Kulit Buah Manggis. Ekuilibrium 8. 1:41-47.

Fridian, R. 2017. Kerusakan Lingkungan Sebagai Ide Pencipta Karya Seni Lukis. 4-31.

Ganardi, Mariana Yati. 2005. Melukis diatas Kain. Dian Rakyat: Jakarta.

Habibah, G.D.P. 2017. Pengaruh Jumlah Tawas Terhadap Hasil Pewarnaan Dylon pada Bulu Entok Sebagai Aksesoris Headpiece. Edisi Yudisium, 6: 41-49.

Hikmawati, Fenti. 2016. Metodologi Penelitian. PT Rajagrafindo Persada: Jakarta.

Larasati, D.W. 2018. Pengaruh Proporsi Soda Kue (NaHCO3) dan Ekstraksi Jantung Pisang Terhadap Hasil Pewarnaan Screen Printing T-shirt. Edisi Yudisium, 7: 41-47.

Muhammad, I. 2011. Teknik Sablon Sebagai Media Apresiasi Karya Desain pada T-Shirt. Humaniora, 2: 169-181.

Soekendar, Junie. 2006. Seni diatas Kain. Cv. Kenie Karya Indonesia: Jakarta.

Sugiyono. 2016. Metode Penelitian Pendidikan Pendekatan Kuantitatif, Kualitatif, dan R & D. Alfabeta: Bandung.

Suheryanto, Dwi. Ed: Glasstera. 2017. Natural Dyes. Penerbit Andi: Yogyakarta.

Sukmadinata, Nana Syaodih. 2008. Metode Penelitian Pendidikan. Bandung: Remaja Rosdakarya.

Suwasana, Edi. 2018. Pedoman Penulisan Proposal dan Laporan Tugas Akhir. Semarang: AKS Ibu Kartini.

Syansul dkk. 2017. Pembuatan Zat Warna Alam dari Kulit Batang Jamblang (Syzgium cumini) Sebagai Bahan Dasar Pewarna Tekstil. Jurnal Teknologi Kimia Unimal, 6: 10-19.

Titiek, P. 2015. Sumber Pemanfaatan Zat Pewarna Alam untuk Keperluan Industri. Dinamika Kerajina dan Batik, 2: 93-106.

Webiographie

Fitline. 2016. 4 Macam Cat yang dapat digunakan untuk Melukis pada Kain. https://fitline.com/article/read/4-macam-cat-yang-dapat-digunakan-untuk-melukis-pada-kain/. (3 Agustus 2020)

Kurnia. N. 2011. Melukis pada Kain dan Busana.

https://hastakaryanovi.wordpress.com/2011/03/11/melukis-pada-kain/. (16 Februari 2020)

Wikipedia. Bahan Pewarna.

https://id.m.wikipedia.org/wiki/Bahan_pewarna. (18 Februari 2020)

Wikipedia. Bawang Merah.

https://id.wikipedia.org/wiki/Bawang_merah. (19 Februari 2020)

Wikipedia. Kembang Telang.

https://id.wikipedia.org/wiki/Kembang_telang. (19 Februari 2020)

Wikipedia. Kepayang. https://id.wikipedia.org/wiki/Kepayang. (19 Februari 2020)

Wikipedia. Kunyit. https://id.wikipedia.org/wiki/Kunyit. (19 Februari 2020)

Wikipedia. Manggis. https://id.wikipedia.org/wiki/Manggis. (19 Februari 2020)

Wikipedia. Pandan Wangi.

https://id.wikipedia.org/wiki/Pandan_wangi. (19 Februari 2020

Downloads

Published

2020-12-31

How to Cite

Ariyana Damayanti, & Yasinta Dwi Yulinda Sari. (2020). Penggunaan Pewarna Sintetis Dan Alam Pada Lukis Kain. Garina, 12(2), 41–50. https://doi.org/10.69697/garina.v12i2.51

Similar Articles

1 2 3 4 5 > >> 

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)