Pembuatan Ready To Wear Look Gothic Dengan Variasi Detail Kulit Sintetis Dan Lukis Kain Motif Etnik Dayak

Authors

  • Arina Haq Akademi Kesejahteraan Sosial Ibu Kartini
  • Erni Septia Nur Fitri Akademi Kesejahteraan Sosial Ibu Kartini Semarang

DOI:

https://doi.org/10.69697/garina.v15i1.30

Keywords:

Ready To Wear, Gothic Look, Fabric Painting, Synthetic Leather

Abstract

Gothic is a clothing style that is characterized by striking, mysterious, exotic, and complex dark features, in this study the author adds fabric painting with Dayak ethnic motifs on synthetic leather in a gothic look. This study aims to determine the process of making a ready-to-wear gothic look with variations of synthetic leather details and painting of Dayak ethnic motifs. The method used in this research process is a qualitative method. The process of making ready-to- wear which consists of a blazer, crop top, obi belt, and skirt begins with determining the fashion design, making patterns from basic patterns to breaking patterns, cutting materials, marking stitches, then sewing the sides of the crop top, combining with lining, attaching zipper and collar, sewing the sides and lining of the blazer, combining the main material and the lining, attaching the painting to the back, attaching the buttons, then sewing the sides and lining of the skirt, then combining the main material and the lining, reassembling, then combining the main material and the lining , reassembling, painting variations, installing tires on the waist, followed by combining all sides with a furing obi belt, sewing the waist, then installing chicken eyes, finally painting the Dayak ethnic motif on the skin, starting with making a pattern sketch of the motif, then installing it on the cloth, block the motif with white, and the last one gives color to the motif.

References

Angendari, D.M. (2017). Penerapan Motif Hias Dengan Teknik Jumputan Dan Teknik Painting Pada Kain. In Seminar Nasional Risetinofatif (pp. 592-599)

Azhidhak, M. (2020). Fabric Painting Collection: Developing a Collection by Using Fabric Painting Technique (Doctoral dissertation, California State University, Northridge).

F Nurfirdausiah, S. H., & Katiah, K. (2020). Benjang Helaran Sebagai Motif Busana Ready To Wear Dengan Teknik Hand Painting. Jurnal Da Moda, 2(1), 14-22.

Juliana, N. Desain Hand Painting Pada Busana T-shirt Anak. BAHAS, 32(1), 55-60.

Karimah, A.S, & Nursari, F. (2019). Perancangan Busana Ready To Wear Menggunakan Metode Zero Waste Dengan Kombinasi Tenun Baduy. e-Proceding of Art & Design, 6(2).

Leonaldy, Ismunandar, Fretisari, I. (2018). Motif Dayak. Jurnal Tata Busana, 5(3).

Marlina, H. (2016). Kajian Semiotik Motif Pakaian Adat Suku Dayak Kenyah Di Desa Pampang Samarinda Kalimantan Timur (Doctoral dissertation, Institut Seni Indonesia Yogyakarta).

Ningsih, H. U. U. (2013). Pengaruh Perbandingan Tinta Sablon Rubber White Dan Foaming Terhadap Hasil Jadi Hand Painting Pada Kain Taffeta. Jurnal Tata Busana, 2(1).

Ramoonda, F. (2017). Kerusakan Lingkungan sebagai Ide Penciptaan Karya Seni Lukis (Doctoral dissertation, Institut Seni Indonesia Yogyakarta).

Richards, J. (2020). The Influence of the Genre in high fashion. In The Palgrave Handbook of Cntemporary Gothic (pp. 1063-1074). Palgrave Macmillan, Cham.

Sari, Y. D. Y., & Damayanti, A. (2020). Penggunaan Pewarna Sintetis dan Alam pada Lukis Kain. Garina, 12(2).

Sari, T.V. (2019). Kombinasi Motif Tato Dayak Dan Tato Mori Pada Busana Evening. 7(2) Sugiyono. (2016). Metode Penelitian Kuantitatif, Kualitatif dan R&D. Bandung: PT Alfabet.

Downloads

Published

2023-06-22

How to Cite

Arina Haq, & Erni Septia Nur Fitri. (2023). Pembuatan Ready To Wear Look Gothic Dengan Variasi Detail Kulit Sintetis Dan Lukis Kain Motif Etnik Dayak. Garina, 15(1), 117–129. https://doi.org/10.69697/garina.v15i1.30

Similar Articles

1 2 3 4 > >> 

You may also start an advanced similarity search for this article.